Foals: What Went Down – Holy Fire’s sometime brilliant but
frequently frustrating big brother
***
After 2013’s Holy Fire
elevated Foals into the alternative big leagues, the band return with What Went Down; their self-proclaimed
biggest, most muscular record yet. Curtain raiser and the titular What Went
Down sets the tone; taking the brutal baton begun with Prelude, passed to
Inhaler and subsequently Providence, it’s the final, ferocious 100m sprint to
Foal’s finish line.
The band’s reach for the arenas continues with the
Radioheadesque Mountain At My Gates, and guitar leads on Birch Tree unshakeably
evocative of By The Way-era Red Hot
Chillis. Blending their new, riff-heavy edge (Snake Oil) with their signature
oriental guitar textures (Birch Tree, Night Swimmers),What Went Down delivers some genuinely brilliant moments; with
Night Swimmers, Albatross and the eponymous What Went Down proving genuinely
thrilling, captivating highlights as good as anything in the band’s previous
repertoire. It sounds bigger, grander, almost cinematic - and the sound of a
band oozing confidence. So it’s then strange that What Went Down should prove such a frustrating, unbalanced listen.
Increasingly bloated as it progresses, and too often settling
into drawn out, dead-end melodies, it lacks the dynamism and excitement that
made Holy Fire (think Prelude,
Providence) such a compelling record. Yannis Philippakis’s wild vocals give the
album drama and passion to match its elaborate, blockbuster melodies; but fail
to give gravitas and weight to weak, melodramatic lyrics (‘When I come to walk the line, the fire may come, but we'll be just
fine’).
Ultimately, What Went Down
sounds like a band brimming with confidence and urgency, but what is
sometimes brilliant is more frequently indulgent, pretentious and bloated -
sonically and in length. An album that should be captivating instead sounds
predictable and frustrating, leaving the band's swagger feeling uncomfortably
misplaced and its audience wondering what might, or should, have been.
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